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$13.98
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Company:
Lost Highway
Publisher : Lost Highway Artist : Van Morrison Manufacturer : Lost Highway
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Description
Those familiar with Van Morrison's ever mercurial muse could hardly have been surprised when he turned up on the artistically centered, avant-country label Lost Highway to pay tribute to a era-spanning slate of country icons on the Nashville imprint's `06 collection, Pay the Devil. But while the ensuing years were dominated by several rich anthologies of Morrison's work, he's returned here to masterfully show his love of country was no passing fancy. As the title suggests, Morrison's self-produced approach to the genre is both musically and emotionally elemental, a no frills approach that fits him like a well-worn pair of Tony Llamas. Indeed, even as he's addressing matters of musical style and substance in an unusually introspective way on "That's Entertainment" and "Soul," the veteran's singing here is so natural and deceptively effortless as to disguise how forcefully Morrison has immersed himself in the country mold - or, more to the point, remade it lovingly in his own image, also marking the first time in several years he's penned all the songs on one of his albums. Whether offering a little tutelage about the vagaries of fate on "School of Hard Knocks," taking W.C. Handy's "St. Louis Blues" as the starting point for the slow-burning, Hammond B3-seeped country blues lament "Don't Go to Nightclubs Anymore," or preaching the backroads Zen gospel of the title track and Banjo-seasoned elegy "Song of Home," Morrison's warm, world-weary voice connects with themes that are as familiar as sunshine - and every bit as fundamentally complicated. --Jerry McCulley
Customer reviews for 'Keep It Simple'
«Great Sounds From A Classic Artist»
I looked forward to buying this CD as soon as I heard about the release date, but then I began reading some of the reviews on CDNow when the recording first became available.
Van's music has been an inspiration since the 60's, and I am glad I finally ignored the negative reviews and bought this one. I guess I don't know why some feel this is somehow less than acceptable. Fans have done this with Bob Dylan since he picked up an electric guitar. There is always something that they object to when an artist chooses to be creative.
Van's artistry and muse are intact, and if you really are a fan of his music, you will love this CD, because that was my reaction. It is like every record, tape and CD I ever purchased and played that he created. His sound will always be unique, and I hope he continues to inspire real fans for a long time.
[Sunday, August 10, 2008]
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«Musically fantastic - not so sure about the lyrics...»
Yes! YES! The best album Van's put out since A Sense of Wonder, and it might even be better than that, which would mean this is his best album since Veedon Fleece, which at this point is thirty-four years old. That's not to say he's been in suck-ville for the past three decades (unlike someone we know - hi, Santana!), because he's made good records in between those two. A Sense of Wonder! Poetic Champions Compose! Enlightenment! Back on Top! Magic Time! Irish Heartbeat's probably good, too! And all of them are better than Avalon Sunset! Ha! But anyway, this isn't any more than Van going over territory he's been down several times before. The difference between this and the similar Down the Road (if you haven't heard it, don't bother - it isn't bad or anything, but that's about all I can say for it) is that Van's actually putting loads of effort into this one. In fact, the first three songs are all pretty much classic Van. "How Can a Poor Boy?" has a great chorus hook and fun horns. "School of Hard Knocks" has a great guitar hook and, most importantly, Van sounding youthful and invigorated on the vox again. "That's Entrainment" has a bit of jazz, a bit of country and a bit of soul. It sounds really good, too! I just wish it had been a bit longer, so Van could do his signature romantic ad-libbing. The next song, "Don't Go to Nightclubs Anymore," sound a bit too nightclubbish for my tastes, but hey! It's not bad at all! In fact, there's only one bad song on this album, which I'll get to in a moment. Anyway, the downbeat "Lover Come Back" is quite enjoyable. So is the acoustic-blues title track. And the guitar solo on "End of the Land." Then you get that aforementioned weak track, "Song of Home." It's country, and I don't like country. Another thing I don't like about this album are the lyrics. Van's mostly whining about how bad the industry has treated him, something he's been doing for quite a while now ("Soul," which still has another great guitar solo, this one electric and rock-oriented, title track, "School of Hard Knocks"), though he's also sometimes spewing clichés ("End of the Land," "Lover Come Back"), or trying and failing to make a reasonable hook out of "Blah, blah, blah" on the otherwise enjoyable "Behind the Ritual." I've never been a huge fan of Van's non-Astral Weeks related lyrics in the first place, but here they're just banal and stupid. Still, lyrics aren't everything, and I like the music here so much that it's a moot point.
[Thursday, July 24, 2008]
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«Ohhhh that voice of his!»
I am such a die hard vanfan. Van Morrison is a musician and a poet. That voice of his just does something to me. The way he sings about sunsets, foghorns, spirit and lost love is just incomparable. Once you start getting lost in his music, you cannot stop.
Van Morrison is the only one whose new releases I will buy unheard.
His only album which does nothing for me is "A period of transition".
[Saturday, July 19, 2008]
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